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Giovanni's Room by James Baldwin

Perhaps, as we say in America, I wanted to find myself. This is an interesting phrase, not current as far as I know in the language of any other people, which certainly does not mean what it says but betrays a nagging suspicion that something has been misplaced. I think now that if I had had any intimation that the self I was going to find would turn out to be only the same self from which I had spent so much time in flight, I would have stayed at home. But, again, I think I knew, at the very bottom of my heart, exactly what I was doing when I took the boat for France.


The Narrow Road to the Deep North and other travel sketches by Matuso Basho (trans. Nobuyuki Yuasa):

In a way
It was fun
Not to see Mount Fuji
In foggy rain.


Shed of everything else
I still have some lice
I picked up on the road —
Crawling on my summer robes.


The Junior Novel: Its Relationship to Adolescent Reading (1964) by Cecile Magaliff:

According to Hanna and McAllister, it was the depression years of the thirties which "brought the needs of youth sharply into focus." In 1933 the Longmans, Green and Company published Let The Hurricane Roar by Rose Wilder Lane. It proved to be so popular that they set out to find other books of this type. This publishing company was the first to describe these books as "junior novels." The term was not generally accepted by other publishing firms or the critics, because eight years later when Let the Hurricane Roar was reviewed again, it was called a "novelette."
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What I've Finished Reading

Nothing, actually! Unless you count the NYT magazine as a "book," which you shouldn't as it's only about fifty pages long and most of that is pictures. I did almost finish last week's crossword, though.

Wait, no, that's not true. I finished The Star Fraction in time for sci-fi book club, and it was all right! If you like really fine-grained niche political bickering in a mildly cyberpunky setting, you might like it. It was a little too chatty for my current mood. The setting is a future UK that has broken up into dozens of wildly different microstates, which facilitates less spectacular fish-out-of-water action than I would like, but more than most books can offer. I doubt I would have stuck with it if not for book club, as I found it pretty hard to follow in the beginning, but Chekov's smartgun (you'll know it when you meet it) is deployed beautifully by the end.


What I'm Reading Now

Do you ever memorize poems? I'm not very good at it, but sometimes I memorize a poem, just so I'll have something in my head in extreme old age besides the lyrics to "It Wasn't Me." Anyway, if you are looking for a new poem to memorize, the first poem in the May 2020 issue of Poetry (the magazine) is easy and rewarding:

Daedal by A.E. Stallings )

I decided against re-reading my second copy of Be Frank With Me, even though I think some of its failures are interesting, because life is actually extremely short when you think about it. One very small element that I liked is the title of the reclusive author's smash-hit first novel, which we're meant to believe is Pitched (for a book about a gifted baseball pitcher who struggles with off-field life). This is not a totally impossible title for a 1970s publishing phenomenon, but it was hard for me to read it in a book published in 2016 without feeling that it had a very strong flavor of early-2000s YA. Very late in the text, however, the title of the r.a.'s first book is changed to the much less distracting The Pitcher, and no one ever goes back to find and replace.

I've realized that I just don't like Tobias Smollet's translation of Don Quixote as much as the one I started with. After I finished Part One, I went back and read Smollett's opening chapters, and was taken aback by how much less lively they were than Motteux's.

Extraordinary Popular Delusions and Female Responses to Swetnam, The Woman-Hater are still slow and pleasant; I won't get through them any time soon.

What I Plan to Read Next

On Monday I came back from the garden to find a large brown package at my door, hand-addressed in orange marker and wrapped in a truly extraordinary amount of tape. My family is famous within itself for using too much tape on everything, but this was more tape than I had ever seen used even for purposes of intrafamilial parody. I didn't recognize the return address, so my first thought was that I'd bought some kind of subscription in the past and forgotten all about it. It wasn't until I had cut away almost a third of the tape that I remembered Caveat Emptor, [personal profile] osprey_archer's local used bookstore. They were selling "care packages" as a fundraiser a few weeks ago, and she very kindly sent me one. It contains:
Four books! )

I'm looking forward to reading my new books! Actual reading pace may stay slow for a while, though.
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Some of the books I finished in the past few weeks, but haven't said anything about yet:

The Ripening Seed by Colette, my first book by Colette! Childhood best friends Philippe and Vinca are stressed out about being sixteen and fifteen, respectively. Philippe gets seduced by an upsettingly insistent woman in her thirties; Vinca finds out and is angry and confused; they have sex in the barn and it's THE END OF INNOCENCE, sort of? In any case it doesn't help them feel any less stressed out about being sixteen and fifteen respectively.

I'm not sure what to do with Dictionary of Occupational Titles Part IV: Entry Occupational Classification, prepared by the War Manpower Commission, October 1944. It's literally just lists of the jobs a person might have, sorted into categories, and some "leisure time activites" that have skills relevant to wartime employment - I don't have any immediate use for it, and any use I could have for it would be temporary, but I kind of like having it around. Same deal with Reference Materials, a brief guide to bibliographies and so on from 1970.

Main-Travelled Roads, like so many other books from the pre-Jazz Age phase of American literature, comes bearing the William Dean Howells Stamp of Approval. Hamlin Garland explains that he returned to his family home in the Midwest from a sojourn in the East, only to be shocked out of his mind that his family and all their neighbors were not just poor, but bored and despairing, sometimes inextricably. The resulting stories are not ground-breaking as literature, but good-hearted and sturdy examples of an old-fashioned form. I was 1000% a sucker for the one where a guy starts a bank in a small town, speculates and loses everyone's money, and tries to sneak out of town before the news hits. His wife insists that he stick around and work to pay everyone back, and that if he doesn't, she will. In the end, he gets a lucky windfall, she decides she's happier when she has a job, and they settle down together to honest work.

This book also has a classic rural example of a multi-level marketing scam: a farmer is induced to paint a patent-medicine advertisement on the side of his barn, but instead of cash, the medicine-seller gives him twenty bottles of patent medicine to sell to his neighbors at a tidy profit! Of course his neighbors aren't interested, and the only person he can get to agree with him that the medicine is worth a try has also fallen for the scam and has bottles of his own to unload.

Creative School Music is a gem of a book from pedagogical giants Silver Burdett & Ginn, published in 1936 and offering a new program for learning music in elementary school. It's full of heartwarming anecdotes guaranteed to make the teacher reading it wonder what they're doing wrong, and wraps up with a full catalog of adorable student-created songs and their illustrations, by grade. Lots of instructive glimpses into the curriculum of "progressive" California elementary schools in the 1930s.

Everywhere You Don't Belong is a brand-new book by Gabriel Bump, about a regular guy growing up in a messed-up world. The characters are sharp and bright and a little opaque. It's funny, fast-paced and significantly stranger than the jacket cover description gives it credit for, though I eventually got tired of the miles and miles of clipped Carveresque dialogue used as duct tape between scenes.

To be honest, I picked up Phyllis Loves Kelly from the free book shelf because I thought it was about vintage lesbians. I thought this partly because in the cover photo, Calvin "Kelly" Gotlieb's computer-scientist babyface was obscured by a post-it from the library saying "do not add" (presumably a donation attempt). What it is: a collection of valentines and birthday poems from poet Phyllis Gotlieb to her husband Kelly, some involving rebuses, an art form I have never appreciated and probably never will. They are cute but mostly forgettable. My favorite was the simplest:

Seventy-two
Looks sexy on you.


The cover image, once I peeled the post-it off, is charming in its own right, as it depicts 1949's biggest nerds. Look at them! They could have been married yesterday, for all time has touched their essential dorkitude.

I've ordered Don Quixote, but it hasn't come in yet - I'll let the library help me out if the delay continues. I continue to fail to understand what the deal is about Wallace Stevens
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What I've Finished Reading

My first issue of Poetry (March 2018) arrived last week, and I couldn't be happier with my subscription. Will this be the best $15 that I've ever spent? Maybe! We have stunning poetry, pretty good poetry, poetry that isn't quite my thing but who am I to judge, essays about poetry with laugh-out-loud John Ashbery quotes in them, and reviews of poetry books that make me want to run out and buy the books, which is not always a guarantee when it comes to poetry book reviews. One of the things that makes it so great: it's short. Sixty pages of poetry, twenty pages of prose, with plenty of white space to soothe the eye and heart, and a couple of pictures here and there. It always makes me sad to get a gigantic literary magazine with three hundred pages of densely-packed prose. I feel bad for the contributors because I know that my feelings of ennui and satiation are not their fault, but I can't help feeling them.

I suspect that if you're part of the Poetry World, you might look askance at Poetry because it's rich and popular and even bookstores in Alabama carry it. There are probably aesthetic quarrels involved that I don't understand. Maybe you call it "the Billy Collins of poetry journals," or maybe I just made that up. I am emphatically not part of the Poetry World, which I guess makes me Poetry's target audience. Anyway, it's pure delight and I love it.

Just in case you were wondering:
This poem is concerned with language on a very plain level.
Look at it talking to you. You look out a window
Or pretend to fidget. You have it but you don't have it.
You miss it, it misses you. You miss each other.

The poem is sad because it wants to be yours, and cannot

-John Ashbery

I liked nearly everything in Poetry March 2018 and was underwhelmed at best by almost all of Free Lunch nos. 3 and 6 (Autumn 1989 and 1990), which makes me worry that I'm overly susceptible to being Of My Time. But who isn't?

I also read a tonne of Anthony Powells over the weekend, but somehow I have even less to say about Powell than I have to say about anything else on Earth. I enjoyed them thoroughly & couldn't remember them very well afterward, except that some of the characters have become old friends, in the diluted Facebook sense (Our algorithm won't rest until you reconnect with: Kenneth Widmerpool). This is an accomplishment poor C. P. Snow has only managed once (with George Passant) though I promised myself/everyone I would say something nice about C. P. Snow in the middle future. I will! But it won't be right now because I had to take all the books back to the library.

What I'm Reading Now

I got Tarka the Otter by Henry Williamson from the juvenile section of the library, because I can't deal with how much I love the first half of Williamson's 15-novel novel and I want to make myself extra sad when it turns all intolerably bitter and fascist, I guess. The subtitle, "His Joyful Water-Life and Death in the Country of the Two Rivers" is just my flavor of twee. So far the baby otter's relationship with his mother and sisters bears a surprising similarity to that of Phil Maddison in the novels, taking into account that one is a baby otter and the other is a human boy. I'm beginning to suspect that Henry Williamson might have been an oldest child with two sisters? It's very dense and lush and Williamson's love of slightly off-kilter and old-fashioned diction is out in full force.

I'm also reading C is for Corpse by Sue Grafton, because it was the earliest book in the series I could find at Trade'N'Books. It's pretty good! There's a beautiful noir opening in a grody gym, and Kinsey Millhone, the narrator-detective, is tough to the point of comedy. I laughed at her description of how her apartments have narrowed along with her life. Millhone dresses for comfort, but felt inexplicably compelled, when she saw how fancy her new client's house was, to "blend in" by digging around in the trunk of her car for some fancier clothes. So she comes tottering in on a pair of heels last used in an unsuccessful prostitution sting, wearing a skimpy shirtdress with a stain on it, because what the hell, it was the best she could do. No one at the fancy house comments on this dubious decision. I like her.

What I Plan to Read Next

I'm taking a month-long break from 99 Novels (at least until Love and the Loveless arrives) and burrowing into my TBR shelves. I came here with every intention of listing a few of them but went away daunted without listing even one. Next time! Maybe!
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What I've Finished Reading

Black Sun: The Brief Transit and Violent Eclipse of Harry Crosby by Geoffrey Wolff. Large and sympathetic but not too fulsome biography of a dismally prudish sybarite and one-man death cult who also managed to publish some important authors in the 1920s before shooting himself and a girlfriend in a hotel room. Nothing amazing, but full of interesting details if you're into those Lost Generation guys. Harry is something of an outsider: very rich, not overwhelmingly gifted, tiresomely obsessed with a complicated personal mythology - but he goes to a lot of parties and makes some friends and makes some nice-looking books.

And Herself Surprised. Sara gets to the end of this short book without ever feeling sure she knows herself, though she tries to be as frank as possible. As a very young woman working as a servant, she marries the older son of her employer, largely because she feels sorry for him, and later takes up with Gulley with mixed results. It’s very good! Unfortunately the edition I have is falling apart – it’s a paperback that seems to have fallen into a puddle or a bath at some point in its life, and mold is growing in the wrinkled bottom edge. But I’ll be keeping an eye out for a new (used) copy at the used bookstores, because it’s a keeper.

What I'm Reading Now

Eugene Onegin by Alexander Pushkin (translated)

One of the drawbacks of trying to have honest reactions to books in public is that honesty can get pretty repetitive. In my heart, I have this hope that if I go on writing non-critical reactions for long enough, eventually an embryonic critical ability will begin to develop. Any random forty-second glance at Goodreads should be enough to strip me of this notion, but I live in hope as I live in ignorance. Anyway, it hasn't come to pass, and in the meantime, I end up saying a lot of the same things over and over. Notably: “Hey, guys! You know that famous proverbially influential thing that everyone learned about in school? SURPRISE, IT’S AMAZING. Who knew??”

Everyone knew! Everyone but me. But here I am again, to tell you the exciting news about Eugene Onegin, a wry and hilarious "novel in verse," completed in 1830, in which practically every stanza is a witty precis of some future novel.

But there’s no need that I dissemble
His illness – name it how you choose,
The English spleen it may resemble,
‘Twas in a word the Russian blues,
He spared us, true, one piece of folly;
Although he grew more melancholy,
Was bored with everything he tried,
He did stop short of suicide.
Soft glance, nor welcome sweetly caroled,
Nor cards, nor gossip, chased his gloom;
He’d stroll into the drawing-room
Surly and languid as Childe Harold.
A wanton sigh was not worth mention:
Nothing attracted his attention.

I have already been told several times that Onegin can’t be translated and it’s useless to try! This is probably true. From my standpoint of ignorance, though, this translation (by Babette Deutsch) is not just readable, but delightful in its own right, even if I’m missing 98% of what makes Onegin great and am now doomed to misunderstand Pushkin, and by extension all of Russian literature, forever. I hope it’s not quite that bad – but if it is, at least I had a good time.

What I Plan to Read Next

I don't know! I'm out of town for work and totally out of sync with my usual calendar, so I might just try to focus on Shirley until that gets closer to done.
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Cross-posted from Livejournal

What I've Finished Reading

A Burnt-Out Case by Graham Greene. I don't know why I liked this little book so much when the other two Greenes left me cold. Maybe because the main character's sexual relationships are all in the past, so I can't hypocritically turn up my nose at his Human Weakness (TM). Maybe because he isn't self-pitying and is instead beset by irritating neighbors who keep trying, against his wishes and despite his efforts, to make him a figure of sympathy, or worse, of veneration. Querry used to be an architect, but it was no good; he used to design new churches but people kept spoiling them by dragging in all the tacky old Catholic paraphernalia he was trying to bypass, and anyway he doesn't believe in God anymore. He came to this leper colony to try to make himself useful, now that he doesn't believe in anything, but no one believes in his disbelief and it all ends badly. It's probably some kind of stealth Greene trick to make me look at my failings that whether or not I like his books depends so heavily on how much I "like" or "can relate to" his central sinner, but that's all right, it's all part of the game. You got me, Graham Greene! Thumbs up to you.

Lions and Shadows - Christopher Isherwood's autobiography with made-up names, because autobiographies are necessarily fictional so you might as well own it. It's completely delightful. Isherwood spends a tremendous amount of time embroidering a private fantasy world with his particular friend, then decides to get himself expelled from Cambridge: it's easier and more interesting than studying for the first big round of exams, besides which his particular friend is leaving and he'll be miserable and bored. His plan is to burn out spectacularly by writing inflammatory joke essays, which turns out to be just as much effort as doing the exams for real. No satisfying infamy results; it just makes his tutor confused and disappointed. Then he lucks into one of those exploitative and familial art-world jobs (secretary to a musician) and spends even more time trying to figure out a way to turn the folie a deux that has occupied so much of his mental energy into a book that other people might want to read. Eventually he gives up and writes a different book instead, which is panned and forgotten and later remembered vaguely as having shown some promise.

What I'm Reading Now

A Girl of the Limberlost, by special request of osprey_archer - I will post something about it Friday or Saturday.

Gaius Valerius Catullus: The Complete Poetry (translated by Frank O. Copley) and The Poems of Catullus translated by Peter Green. I can't tell you how much I love this asshole Catullus. He's a first century BCE Roman poet with nothing better to do than hurl insults at everyone who ever slept with his girlfriend or said his poems were garbage. He flails wildly between painful tenderness and pitiful self-centered petulance, he mocks his friends for sending him bad poems and threatens to send them worse poems in retaliation, he knocks the furniture around like Citizen Kane, he makes jokes about dudes sucking their own dicks.

If Catullus were a contemporary of mine there is a good chance I might not love him as much. Maybe I would read a few pages of his shit-flinging and think, "Dude, you are talented but you are not for me," and go read a nice cozy murder story instead. Certainly if he were transported into the present with his first-century Roman sexual politics intact, he would be a nuisance at best. But he wrote all these poems two thousand years ago, and thanks to a long series of choices and accidents they still exist, and they are startlingly, hilariously alive.

Frank Copley's translation is beautifully weird and very loose; he totally ignores the original line breaks, throws in contemporary (1954) references and generally strives to create a hip beatnik lounge atmosphere. At first I just thought it was funny, but it grew on me fast. Green's translation is more of a translation in the traditional sense, and includes the original Latin on a facing page. Copley would like us to feel that Catullus is one of us, despite the centuries and the language barrier; Green wants to make sure we don't forget how alien he is, and to prevent us from being fooled by superficial points of common interest like sex and insults. Probably they are both right.

What I Plan to Read Next

Lots of book recs from other books! I recently bought Travels With My Aunt, which was recommended to me last year as The Graham Greene You Will Like If You Didn't Like Any of the Other Ones. I hope it will still work given that I liked A Burnt-Out Case. When I saw A Single Man by Christopher Isherwood at the bookstore, I immediately bought it on the strength of Lions and Shadows, and came home to find that it was one of my 99 Novels.

I learned from Among Others that Mary Renault wrote a novel about Alcibiades called The Last of the Wine. Alcibiades is either my favorite or my second favorite Plutarch's Life (so far), so I should probably read this soon. There may be some other Alcibiades-related reading in the near future.

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