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What I’ve Finished Reading

Clea )

The Count of Monte Cristo )

Alas,
Spoilers for the end of The Count of Monte Cristo
there was no Mercedes/Dantes reunion, except arguably in heaven, which we all know doesn't count unless one of you is already a ghost.


What I’m Reading Now

She said to me today as I was leaving: ‘And now my dear, when are you going to start writing again?’ I might have said, of course, that all this time I’ve been scribbling off and on in the notebooks but that is not what she meant. I said: ‘Very likely never.’ She made an impatient, almost irritable gesture; she looked vexed, like a housewife whose plans have gone wrong – the gesture was genuine, not one of the smiles, or nods, or shakes of the head, or impatient clicks of the tongue that she used to conduct a session. ‘Why can’t you understand that,’ I said, really wanting to make her understand, ‘that I can’t pick up a newspaper without what’s in it seeming so overwhelmingly terrible that nothing I could write would seem to have any point at all?’ ‘Then you shouldn’t read the newspapers.’ I laughed. After a while she smiled with me.

The Golden Notebook is a little like the Alexandria Quartet, but readable. That's not fair or accurate to either, but it is a breath of fresh air after the convolutions of the Not Durrells. I don’t know where I got the idea that The Golden Notebook was intimidating and “difficult” - it wasn’t from Burgess, who only hints that the project is imperfect and regrets that Anna is too critical and humorless. I don't think it's the back cover copy, which is straightforward enough. Maybe it's just that it's a big book with an abstract cover? Anyway, this impression of difficulty was totally wrong. Anna is a writer who keeps four notebooks on four different themes; one day her best friend's troubled son, who is being inappropriately nosy here, challenges her on whether it's honest to keep different parts of herself separated in this way. Meanwhile, there is lots of earnest dialogue about the breakup, imminent and ongoing, of the Communist Party in Britain (the book begins in 1956 but extends backward and forward in time) and lots of unhappy affairs extensively analyzed.

What I Plan to Read Next

Books from my bookshelves. The Story of the Lost Child. I found The Hidden Land at a used bookstore (the sequel to The Secret Country), so that too, eventually.
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Crossposted from Livejournal

What I've Finished Reading

The Secret Country )

What I'm Reading Now

Clea )

Also The Count of Monte Cristo through Ch. 105: Here Be Spoilers )

There are twelve chapters left in this book! Who will live? Who will die? Next week will tell, maybe.

What I Plan to Read Next

It's Golden Notebook time! - or at least it will be, probably, by the end of the week. Plus a lot of Christmas presents and some bookstore orphans, and I'm planning to use my gift card to buy myself the last of Elena Ferrante's Neapolitan novels, FINALLY. I know I'm not supposed to buy new books right now, but this one is both inevitable and long overdue.
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Crossposted from Livejournal

What I've Finished Reading

How Dear is Life - war comes to Europe, Philip joins the local Territorials, suffers embarrassment and shame, and is marched all over France and Belgium. At home, a familiar situation: the number of news sources has exploded, but no one knows what's true and what's false, and hardly anyone has the time to wonder in the first place. There are stories of atrocities in Belgium, fact mixed with half-truth mixed with pure garbage, all luridly illustrated. There are rumors of children poisoned at random by German bakers. The country is choked with information, while over in Europe no one tells the soldiers anything. Nothing very new here if you've read more than one WWI novel, but Philip and his family continue to be interesting and sympathetic.

What I’m Reading Now

So far in Clea: Justine has recounted how Pursewarden cured her of her “neurosis” about being raped as a child by telling her she enjoyed it and probably asked for it, and we have had this wonderful Durrellism:

She was, like every woman, everything that the mind of a man (let us define 'man' as a poet perpetually conspiring against himself) – that the mind of man wished to imagine. She was there forever, and she had never existed! Under all these masks there was only another woman, every woman, like a lay figure in a dressmaker's shop, waiting for the poet to clothe her, breathe life into her. In understanding all this for the first time I began to realise with awe the enormous reflexive power of woman – the fecund passivity with which, like the moon, she borrows her second-hand light from the male sun. How could I help but be anything but grateful for such vital information? What did they matter, the lies, deceptions, follies, in comparison to this truth?

There's probably a sense in which this is more or less accurate, if you're Not Lawrence Durrell.

There's more to it than that, of course. Our dogged narrator Not Lawrence Durrell has dropped down out of the cloud cover of the past into a mangled, alien, and anxious wartime future. Justine and Nessim's plan to run guns to Palestine has led to them being trapped together under house arrest, and Justine is crackling with boredom and philosophy like a lot of frayed wires. It's very Durrell. My feelings about Durrell are still mixed.

Is anyone going to care about Clea when there is THE COUNT OF MONTE CRISTO on the same page? Maybe not, but I care about Clea.

In The Count of Monte Cristo, things fall apart; the center cannot hold. SPOILERS through Chapter 95 )

Next up: a conference between Danglars and his daughter Eugenie! I'm a little behind on Monte Cristo this week due to work, but should catch up again next Wednesday. We're almost to the end of the book! And we're down to the two least sympathetic of Dantes' original antagonists, which may or may not mean anything for how the next few chapters play out.


What I Plan to Read Next

The Golden Notebook? For 99 Novels, and it's already in my house. Probably The Secret Country, which I've been meaning to finish for a while.
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Crossposted from Livejournal

What I've Finished Reading

Star Surgeon and Major Operation )

Mountolive )

What I’m Reading Now

The Count of Monte Cristo is still a cyclone of pure drama, only more so. SPOILERS through Chapter 90 )

THIS BOOK, you guys. I AM DEAD.

What I Plan to Read Next

Clea! Even though I already had a copy from the library, I couldn't resist buying a vintage paperback edition from the used bookstore when I saw it. Also up next: How Dear is Life, by Henry Williamson! And then maybe The Golden Notebook? It's on the list for 99 Novels, and it's already in my house. Or maybe something else! I'm not sure.
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What I've Finished Reading

"Wrong! Wrong! A diary is the last place to go if you wish to seek the truth about a person. Nobody dares to make the final confession to themselves on paper: or at least, not about love."

Balthazar by Lawerence Durrell. Truth and I are burrowing animals, which is why we have dirt in our hair )

"There is so little time; with the news from Europe becoming worse every day I feel an autumnal quality in the days -- as if they were settling towards an unpredictable future."

It's all distant guns all the time here in 99 Novels.

Also: Hospital Station, the first novel - really five short stories strung together - in the Sector General series by James White. New doctor Conway, an Earth native, learns the ropes at the SG: this includes getting used to working with colleagues who are ten feet tall or winged and brittle, and dealing with communication and diagnostic problems: how can you tell, in a first contact situation, whether your patient is dying of cancer or undergoing normal metamorphosis? Let's hope you can figure it out in time! This is comfort reading in much the same way All Creatures Great and Small is comfort watching - not just because the diagnostic problems are imaginative and interesting, but because of the way the attention of the story is always being focused on the immediate. Whatever else is happening in the galaxy or in Conway's personal life, there's a patient right now who needs sorting out. It's pleasant to watch people zero in on their jobs and do them. The aliens are really alien - White clearly loves thinking up alternative metabolisms and psychologies and then figuring out how they could go horribly wrong - which makes this vision of a transgalactic Doctors Without Borders all the more charming.

What I'm Reading Now

Mountolive is the third book in Durrell's Alexandria Quartet, and surprise! It's a traditional novel, more or less, which is kind of a relief. I mean, I think it's a better showcase for Durrell's strengths in language and image, that the novel isn't leaning so hard on language all the time. I mean it is leaning hard on language, but it's not noisily calling your attention to the fact every three paragraphs, which just makes everything feel like an asthma attack, or what I imagine an asthma attack feels like from reading Proust. David Mountolive has an affair with Nessim's mother Leila as a very young man, and later returns to Egypt with the Foreign Office. What will happen next? Probably the Not Durrells will descend on him with their epigrams, like a flock of pigeons. I'm enjoying it so far.

Star Surgeon, the next Sector General novel, is also more traditionally structured than its predecessor - that is, it appears to have a single long story arc instead of being stitched together from stories originally published in Analog (or equivalent). A patient from a species unknown to the hospital appears to have killed and eaten his fellow crew members. Conway asks his new colleagues from the next galaxy over to help identify it, and it turns out to be one of their gods. Surprise! Trouble is almost certainly around the corner, if it isn't already here.

And The Count of Monte Cristo of course. Is there anyone on earth, past, present, or future, who loves shouting "Surprise!" at his readers more than Alexandre Dumas? I hope not. I have almost caught up to [personal profile] osprey_archer: SPOILERS through about Chapter 81! )

Who knows where all of this is heading? Is there a master plan, or does the Count just want to make everyone really uncomfortable? Either way, it's a fabulous pre-locomotive crazy train (no steam power, just a team of drama llamas) and I'm glad to be back on board.

What I Plan to Read Next

The library is closed over winter break, so I think I'm going to focus on books I already have in the house until mid-January - except for Proust; I took the rest of Proust out just in case. It's very important to have Proust!
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What I've Finished Reading

"Who invented the human heart, I wonder? Tell me, and then show me the place where he was hanged."

I ended up reading JUSTINE twice because I was on a train and didn't have any other books in English. I'm glad I did, because a lot of things were clearer on re-read, if not necessarily less annoying. I loved and hated Justine, but not quite as I love and hate myself. The most surprising thing to me was that, for a book that makes a huge deal about being set in ALEXANDRIA, and for all its many beautiful and startling details of the city, I didn't feel like it had a strong sense of place. That stayed true even on the second read. Or: the sense of place was severely limited by the perspective of the expat narrator (an Irish schoolteacher, whom the untrustworthy author's note assures us is not Lawrence Durrell): there's the same kind of easy arm's length lyricism that you get when young writers come home from backpacking across Asia, with lists of all the shocking things the writer saw out the window of the bus on the way to the yoga retreat. That's so mean I'm convinced it can't be fair, so maybe it isn't.

Anyway, the writing is beautiful, in the sense that lines and sentences and paragraphs are beautiful, but if you're expecting a novel, it might disappoint? Everything and everyone is caught up in the gigantic spiderweb of Beautiful Writing; scenes and characters dangle a little above the ground in sticky shrouds of poetry, out of reach of one another. Almost no one in this book listens to anyone else. They just wait their turn so they can quote Cavafy and summarize each other's psyches in separate cars. That may be the point (bordering solitudes and all of us being unknowable, and all that) but it's hard to say for sure. I'm looking forward to reading the rest of the quartet, which I haven't done before. It's supposed to be the same story (or time period) from four angles, so I'm curious to see what will be different.

What I'm Reading Now

I had the good luck to be given a copy of The Girls of Slender Means, which is also on the list and small enough that it can replace Justine in my luggage. The contrast is almost as enjoyable as the book itself. Durrell wrestles showily with everything; the effort is visible even when he succeeds (and this makes him vulnerable and a little likable, despite his total inability to learn anything from anyone). Muriel Spark is like a razor you don't even feel. I may have accidentally read it all in between beginning this paragraph and finishing it, but I probably need to wait until next week to say anything about it.

Today I'm sick (again) so have been watching the ultimate comfort TV, All Creatures Great and Small. It's about the low-key adventures of some veterinarians in a small town, and features plots like "a dog was sick, but then he got better" and "dealing with cows can be tricky but eventually we sorted it out." [personal profile] thisbluespirit recommended it to me last year and it hasn't let me down.

What I Plan to Read Next

Possibly The Whale, a novel about the relationship between Herman Melville and Nathaniel Hawthorne. I'm debating whether or not to do a no-reading week beginning on Sunday, to take advantage of no longer being expected to check emails for work.
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Wednesday Reading Meme readers, I wanted so badly to tell you all about JUSTINE by LAWRENCE DURRELL, but it isn't going to happen this week. I have hardly had time to blather about JUSTINE in real life.

Well, no. I am going to post one thing from JUSTINE:

Women must attack writers -- and from the moment she learned I as a writer she felt disposed to make herself interesting by dissecting me. All this would have been most flattering to my amour propre had some of her observations been further from the mark, but she was acute and I was too feeble to resist this sort of game -- the mental ambuscades which constitute the opening gambits of a flirtation.

This is a pretty nice paragraph, actually. But no one ever thinks to warn you about the never-ending attacks from women, possibly the worst of the many hazards of being a writer. Worst of all is when the writer is also a woman: good luck getting anything done in that 24/7 war zone. :(

Next week, a real post! Probably!
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Archived from Livejournal

What I've Finished Reading

I finished Foundation on the plane and then tried to figure out what makes its appeal so strong for me. It's partly Asimov's writing, which is amiable and transparent and makes everyone in the far future sound like Hollywood Romans or company engineers of the 1950s (except that they all swear By Space!) so it's a peculiarly comfortable way to tour thousands of years of made-up history. And the structure is undemanding - it's really five novellas or long short stories bound together, with large gaps in time between each one. There are lots of neat set-pieces and episodes of skulduggery and some pleasant rib-nudging allusions to RL history. It's thought-provoking without being at all challenging or painful.

There's also Trantor, the beautiful/horrible subterranean city planet, where children go up to the observation deck once a year for school field trips and cry in fear of the open sky. But as large as it looms in my heart, Trantor is only seen in passing in Foundation. The impossible scale of things in general (the Galactic Empire lasted for twelve thousand years! Encompassing twenty-seven million planets!) sort of lifts it out of the realm of "speculation one might question" and into a different one - fantasy or fable, maybe? - in which the reader's inability to picture the administrative nightmare of day-to-day life in the Galactic Empire is part of the point. But it also doesn't poke too hard at that difficulty. I don't know! I like this book in a very specific way: I only want to read it when I have a long ride ahead of me. But when I do, it's the best thing.

What I'm Reading Now

A Buyer's Market by Anthony Powell:

While I undressed I reflected on the difficulty of believing in the existence of certain human beings, my uncle among them, even in the face of unquestionable evidence-- indications sometimes even wanting in the case of persons for some reason more substantial to the mind -- that each had dreams and desires like other men. Was it possible to take Uncle Giles seriously? And yet he was, no doubt, serious enough to himself. If a clue to that problem could be found, other mysteries of life might be revealed.

I didn't manage to finish A Buyer's Market before I left town, but I am enjoying it pretty well.

I took a diminutive 99 Novels selection with me instead: JUSTINE by LAWRENCE DURRELL. This book will always be in all caps in my heart, but maybe for different reasons each time. I was so annoyed with Lawrence Durrell in the first few pages, but then I adjusted to the style and now I'm ok. There will be more about this book later, whether you want to hear it or not.

In the meantime, I've come down with something that makes my throat close up and my ears ring. This may be the perfect state in which to read Justine, but it is not great for the rest of the things I was planning to do this week.

What I Plan to Read Next

I'm saving Foundation and Empire to read on the way back.

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