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Crossposted from Livejournal

What I've Finished Reading

I didn't love the last hundred pages of The Golden Notebook as much as the first five hundred. Why is that? )

There's a lot more to say about this book but I'm going to put it off until later, at least until the comments. In the category "well-off left-wing women have a bad time in the twentieth century," I think liked The Group a little better, but I'm glad I read this one.

I'm still feeling a little book-hangoverish from The Count of Monte Cristo. I've even begun to think that maybe the slightly disappointing ending was a deliberate protective measure, like the way deep-sea divers have to pause on their ascent to avoid whatever horrible thing happens to their lungs if they come up too quickly.

What I'm Reading Now

From October 1976 until 1979, when I returned to Naples to live, I avoided resuming a steady relationship with Lila. But it wasn't easy. She almost immediately tried to reenter my life by force, and I ignored her, tolerated her, endured her. Even if she acted as if there were nothing she wanted more than to be close to me at a difficult moment, I couldn't forgive the contempt with which she had treated me.

And just like that, here we are again. It's like I never left. I've been putting off starting The Story of the Lost Child partly because I want to "read down" some of my other books first (to make room on the shelf, because Elena Ferrante books are books I keep) and partly because I know I'm going to feel a loss when it's really over. But here we are.

So why do you think it is that Anna Wulf's awful relationships were a source of irritation to me in an otherwise enjoyable book, while I greet Lenu and Lila's even more awful relationships with open arms and a kind of joy in bitterness? Differently-focused narration? Anyway, here we are, back in Naples for the last time.

What to do, then? Admit yet again that she's right? Accept that to be adult is to disappear, is to learn to hide to the point of vanishing? Admit that, as the years pass, the less I know of Lila?

This morning I keep weariness at bay and sit down again at the desk. Now that I'm close to the most painful part of our story, I want to seek on the page a balance between her and me that in life I couldn't even find between myself and me.

Also reading: The Hidden Land by Paula Dean. The cousins have been stuck in their Secret Country for some time now, making do. Ted, whom everyone thinks is his formerly fictional self-insert Prince Edward, is trying to prevent the assassination of the king, but the back cover tells me it isn't going to work. So far it promises to be just as sticky and strangely-paced as The Secret Country, though maybe with a little more plot?

What I Plan to Read Next

I have this anthology called Fiction in the Heart of Dixie: An Anthology of Alabama Writers, maybe that? We'll see how long it takes to finish my current books, now that all my reading time is being eaten up by employment.
evelyn_b: (Default)
Crossposted from Livejournal

What I’ve Finished Reading

Clea )

The Count of Monte Cristo )

Alas,
Spoilers for the end of The Count of Monte Cristo
there was no Mercedes/Dantes reunion, except arguably in heaven, which we all know doesn't count unless one of you is already a ghost.


What I’m Reading Now

She said to me today as I was leaving: ‘And now my dear, when are you going to start writing again?’ I might have said, of course, that all this time I’ve been scribbling off and on in the notebooks but that is not what she meant. I said: ‘Very likely never.’ She made an impatient, almost irritable gesture; she looked vexed, like a housewife whose plans have gone wrong – the gesture was genuine, not one of the smiles, or nods, or shakes of the head, or impatient clicks of the tongue that she used to conduct a session. ‘Why can’t you understand that,’ I said, really wanting to make her understand, ‘that I can’t pick up a newspaper without what’s in it seeming so overwhelmingly terrible that nothing I could write would seem to have any point at all?’ ‘Then you shouldn’t read the newspapers.’ I laughed. After a while she smiled with me.

The Golden Notebook is a little like the Alexandria Quartet, but readable. That's not fair or accurate to either, but it is a breath of fresh air after the convolutions of the Not Durrells. I don’t know where I got the idea that The Golden Notebook was intimidating and “difficult” - it wasn’t from Burgess, who only hints that the project is imperfect and regrets that Anna is too critical and humorless. I don't think it's the back cover copy, which is straightforward enough. Maybe it's just that it's a big book with an abstract cover? Anyway, this impression of difficulty was totally wrong. Anna is a writer who keeps four notebooks on four different themes; one day her best friend's troubled son, who is being inappropriately nosy here, challenges her on whether it's honest to keep different parts of herself separated in this way. Meanwhile, there is lots of earnest dialogue about the breakup, imminent and ongoing, of the Communist Party in Britain (the book begins in 1956 but extends backward and forward in time) and lots of unhappy affairs extensively analyzed.

What I Plan to Read Next

Books from my bookshelves. The Story of the Lost Child. I found The Hidden Land at a used bookstore (the sequel to The Secret Country), so that too, eventually.

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