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What I've Finished Reading

Burgess thinks The Image Men is good satire. I don't know if it is or not because I ran out of patience about 2/3 of the way through. I respect his point about how critics should relax more and not scorn to appreciate big rambling hunks of entertainment with lots of characters and side-currents, but I wound up not appreciating this one. It just keeps lurching around from one episode to the next while the Image Men bilk people but-not-really, drink giant gins, and make speeches. Did you know than in an age of images, people will believe a lot of nonsense about images? It might have made a good ninety-minute movie, but instead it was a book and I got sick of it two hundred pages from the end. This proves that literature is dead, images are the unacknowledged legislators of my brain, and I owe J.B. Priestley $5.

I also finished Giles Goat-Boy, for all the good it did me. Did the entire raised-by-goats idea come about so that John Barth could have the Goat-Boy say, while devouring a valuable religious scroll in a library for important Hero's Journey reasons, that he is "only browsing"? Probably. It's that kind of book.

Cocksure is a fast-moving, rancid, reckless piss-sprinkler of a novel flinging bile-filled condoms in every direction, which made it a welcome break from both of the above. There are a lot of pieces - a Canadian WASP whose friends are all convinced he's Jewish and trying to hide it, an immortal "Star Maker" who turns out to have literally built several stars from scratch Victor Frankenstein-style, a series of publicity-minded murders, a sexually progressive elementary school that puts on a production of "Philosophy in the Bedroom," an ingenue who obeys the rules of screenwriting in all things (in a real-life emergency, she ignores several empty phone booths in favor of the more dramatic one already in use) - all abundantly nasty or eerie or both. None of the pieces ever quite merges with the others to form the coherent shambling abomination you might be hoping for.

What I'm Reading Now

The sixties may come and the sixties may go, but arguably tolerable marriages spring eternal. Kristin Lavransdatter is still fifty acres of thorns in a twenty-acre freehold. I've just finished the second volume, The Wife, and started on the third, The Cross. Kristin and Erlend have just lost their one really good friend, Simon, and are realizing how isolated they've become since Erlend's ill-advised foray into political conspiracy. Meanwhile, time keeps turning their baby boys into teenagers and there's nothing they can do about it.

In my May 1892 issue of Harpers, I found this poem by William Sharp: The Three Infinities )


From a mathematical standpoint I'm pretty sure all of these things are technically finite (please correct me if I'm wrong), but that's beside the point.

Meanwhile, Will S. knows his sonnets are stale but you can't make him stop: That every word doth almost tell my name )

Maybe novelty is the TRUE staleness, have you thought of that?

What I Plan to Read Next

I asked my brother to send me a few books from his giant collection of slightly musty paperbacks - all 99 novels that are coming up in the sequence, including Gravity's Rainbow and The French Lieutenant's Woman - so when I actually read those will depend on his laziness instead of mine.
evelyn_b: (Default)
What I've Finished Reading

I actually finished Ashlin and Olivia on the plane several weeks ago - better late than never? It's a "second-chance" love story between two young women who are so young that their "second chance" comes when they are college sophomores (the first chance was when they were all-consuming middle-school best friends for a year before having a painful falling out). cut for spoilers just in case you like your romances suspenseful )

The big draw here is the characters and their conversations - Aster Glenn Gray has a real gift for, and a willingness to indulge in, earnest, funny, meandering conversations between likeable characters. Ashlin and Olivia have passionate, youthful, totally believable opinions on art and movies, The Patriarchy and fanworks, and it's a pleasure to listen to them spitball and pontificate, both as highly invested thirteen-year-olds and as young adults in Europe. Gray is as unfettered as any actual thirteen-year-old by notions of What Kids Really Talk Like - her conversations always feel like they were based on conversations and not on other books, but not to the the point that you can't follow them.


What I'm Reading Now

Shakespeare's sonnets, all of them from the beginning. You probably knew that one of the major themes of the collection is "Golden youth, have some damn babies; your mom wants grandkids!" but did you know HOW MUCH?

give it a rest mom i'm almost forty )

Eventually the message shifts, but there's A LOT of this in the beginning.

I warmed briefly to Giles Goat-Boy when the Goat-Boy sat down to an entire uni-verse parody of Oedipus Rex in heroic couplets, and later, even more briefly when the hypertext tape machine showed up, but mostly it's been the same old ironically racist American Hollywood Literature Archetypes cleverness slog and plenty of it. On the plus side, it's written so as to have a mild forward motion even as I think I'm completely out of patience with it, like a very slow amusement park boat ride.

The Image Men is a regular novel about some con men who start an Institute of Social Imagistics at a brand-new redbrick university, and it's much more fun, though it too is getting a little bogged down and repetitive. Pavane takes place in an alt-history 1968, where technology and social development has been arrested and warped by a powerful Catholic Church since the assassination of Elizabeth I in 1588. It's richly imagined even if it's not always totally convincing, and Keith Roberts is having a ton of fun describing the hard but high calling of the semaphore operators' guild. I wouldn't be shocked out of my mind if I found out Terry Pratchett had never read it, but I would be pretty surprised.

And I finally got back on the Kirstin Lavransdatter train: Cut for Kristin Lavransdatter ) It's a good book about how damned uncomfortable everything is all the time. Maybe being a 14th-century Norwegian makes it a little better, maybe a little worse - on the evidence of this book, it's hard to say.

What I Plan to Read Next

I still have a medium-sized stack of books left over from my trip, and one more 99 Novels book out from the library - Cocksure by Mordecai Richler - plus I keep "accidentally" picking up New Yorkers from the free shelf because I like the covers. Coming soon, if I get my act together: some scans? That's a big if.

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