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What I've Finished Reading

The Stone Raft is the story of how one day the Iberian Peninsula broke away from Europe and went drifting out to sea, to the consternation of many. I liked this premise so much that I bought the book immediately. However, I soon discovered that it was all written like this:

this woman is pretty after all and I didn't even notice )

If your reaction on reading the above passage was, "Wow! I'd like 300 more pages of the same, please!" then maybe this is the book for you. I'm not sure that it's the book for me, though having written the above paragraph out twice I feel a little more reconciled to it than I did when I started.

In the end the thing I liked most about The Stone Raft was that after the group had been wandering around with a nameless dog for about a hundred pages, one of them thinks that eventually they will have to give the dog a name, "Fathful or Pilot or something," and after that, the dog is occasionally referred to as Faithful and occasionally as Pilot, but more often as Dog or the Dog. At the very end of the book, the travelers decide to name him Constant and he runs off soon after.

What I'm Reading Now

Giles Goat-Boy, by John Barth, whom for decades I have been mixing up, usually in some embarrassing public way, with the not-really-that-similarly-named Roland Barthes, neither of whom I have read. Soon I will be able to keep them straight in my mind, because John Barth will be The One I Read A Book By Once, linked forever with That Book Where Everything Is College and Orgies.

I am looking forward to this added value because, 150 pages in, Giles Goat-Boy is tedious as all get out. I feel bad now for knocking the one-trick-poniness of Pale Fire because at least that was a trick I enjoyed. And once again, I put off reading something too long and got old and crusty. If I'd read Giles Goat-Boy when I was seventeen, fresh off my Tom Robbins phase and hopelessly trying to plough through de Sade out of an obscure sense of obligation, I probably would have thought it was shocking and hilarious, and quoted it obnoxiously at parties. But I'm old, Gandalf. My days go bouncing irretrievably away from me like supermarket bouncy-balls into the storm drains of time. Every second I spend listening to the Goat-Boy hash out how best to take up the mantle of Grand Tutor and lead his benighted pupils through the Finals to Graduation (while saving the campus from a totalitarian computer and the looming threat of an apocalyptic Campus Riot III) is a second I will never be able to spend in any other way. And yet. I haven't written it off, because there's still time for it to grow on me, but I'm not having the rollocking time promised me by the Preface.

What I will say on behalf of Giles Goat-Boy: it isn't fifteen of them.

What I Plan to Read Next

Pavane by Keith Roberts is an alt-history tale of Catholic England, and much shorter than Giles Goat-Boy. I might also try to catch up on some of the books I haven't said anything about yet - and get back on the horse with Kristin Lavransdatter, which I had to leave behind when I left town because it was too large.
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Ok, so it's not "tomorrow" anymore, but it is technically still Wednesday!

What I've Finished Reading

Since it took me a month to read The Lockwood Concern, I decided I had to catch up on some 99 Novels on returning home, so I went to the library and got The Late Bourgeois World, The Vendor of Sweets, and The Last Gentleman and read them all in about 4 days. This was a serious mistake, because they're all good books, and now I'm going to short-change them by rattling them off in a careless way.

Jagan, the titular vendor in The Vendor of Sweets, is an extremely loveable crank who runs a sweet-shop. He doesn't eat sweets himself, because he has a meticulously cranky Gandhian diet program that cures all ills, but nevertheless believes that those misguided people who want to eat sweets should have the best sweets possible. His no-good son goes off to America and returns with an American wife and a scheme to sell fiction-writing machines, guaranteed 50x more efficient than getting stories from your grandma! From there, things slowly get weirder.

There are no sci-fi elements in The Late Bourgeois World, which is a story about unhappy white liberals in apartheid-era South Africa - just lots and lots of morally untenable situations neatly packed into a small space. Gordimer's prose isn't so much a razor as a finger gently and insistently prodding a nasty bruise.

The Last Gentleman is the oddest and the most ambiguous of the three books (and twice as long as the other two put together), and I'm still not sure what I think of it. The main character is a hapless young man from the South who goes North and gets himself mixed up in a family of rich existential-crisis-prone Southerners who might have been kicked out of a Flannery O'Conner novel for not being loathsome enough. You can see why Walker Percy liked A Confederacy of Dunces so much (though this one might be a little more durably funny and sad): he and Toole clearly share a love of unsatisfiying picaresques and the unbelievable ways people really talk.

What I'm Reading Now

Giles Goat-Boy is an experiment that I may have been born too late to appreciate. It's nuts, but so far not exhiliratingly nuts. It concerns a young man raised as a goat (and subsequently suffering an identity crisis) in a world where the microcosm of the university has metastisized into a regular-cosm (in much the same way that everyone in the generation ship eventually forgets it's a ship and gets angry if you try to talk about "outside"). People use "Flunk you!" as a curse and sing hymns about the distant joys of Graduation, and so on. But this is only page 50 or so of 710, so we'll see how it goes.

I might give up on The Stone Raft; I haven't decided yet. Saramago's writing style (or the translation thereof) is getting on my nerves.

The Ups and Downs of Living in an Age of Abundance

This morning I went through some of my books to see if there were any I could give away to a prison books distributor, and sent a few emails to check if certain things were wanted. I found a few, but unfortunately my buying patterns don't align very well with their needs. I have way too many hardcover books and books that were in bad condition when I bought them. Happily, poetry is in demand and I have a decent number of good-condition paperback poetry collections to send.

Yesterday, I took a couple of books to the library free shelf to give to fate. Most of the books on the shelf were not too tempting, but I did take away a small Pelican paperback called Music 1950:

A comment on outstanding events and a general picture of what has taken place in the musical world during the last year. All branches of the art of music -- aesthetics, history, technique, and criticism -- are discussed by leading critics. An annual publication which succeeds Penguin Music Magazine.


What I Plan to Read Next

I got a few more of the 99 Novels from the library - and when I'm done with this batch, I'll have only nineteen left to go! And while some of them, including the current Giles Goat-Boy, are very long, none of them are 15-novel sequences in disguise.
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What I've Been Reading All This Time, Part 1

I spent the past two weeks miserably trying to plough through The Lockwood Concern, which Anthony Burgess assures me "transcends both the author's declared intention [to write "an old-fashioned morality novel"] and the somewhat melodramatic plot." People kept coming up to me while I was trying to read it and I would say, "It's trash, but I don't know if it's very good trash." I tried to blame myself rather than the book: things had been even more stressful than usual this busy season, so it can't have been O'Hara's fault if I couldn't keep my mind on my leisure. But when I was about three-fourths of the way through The Lockwood Concern, someone handed me a copy of We The Animals by Justin Torres, and my inability to read instantly vanished all at once as if by magic. So maybe it was O'Hara's fault after all. Or maybe I just needed to read a different book.

We The Animals begins beautifully and ends a little weakly (in my admittedly careless experience) but it's short enough and quick enough that you won't necessarily notice.

On the way back home, I also read Like a Fading Shadow by Antonio Muñoz Molina, a perfect traveling book about a guy trying to write a novel and obsessing over James Earl Ray's fugitive days in Lisbon.

I tried to read The Stone Raft by José Saramago after I'd finished, but I'd been totally spoiled by Muñoz Molina's frankness and lucidity and was in no mood for all that Saramagory, so will try again later.

Tomorrow (or Thursday): more books! The busy season is over! I have a lot of catching up to do, in the 99 Novels and elsewhere.

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