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Crossposted from Livejournal

What I've Finished Reading

In the end I decided to keep A Confederacy of Dunces, though I don't know why I should. The beginning is good and the last two or three pages are good and in between there are a lot of almost unbearably tedious set pieces, but I like Mrs. Reilly and Santa and the hapless old John Bircher and Darlene's boffo bird act. And it was recommended to me by a very old friend, back in high school when she was still a new friend; that probably has something to do with it. I'm not disappointed in it or anything, it just is the book it is.

In less emotionally confusing comedy news, Galahad at Blandings: a late Wodehouse and a pleasant rather than a great one. A young millionaire is thrown into the drunk tank after having his cash stolen, and calls on his wealthy future uncle-in-law Clarence to bail him out. Clarence is absent-minded at the best of times and accidentally conflates "lost a roll of cash in a drunken spree" with "lost all his money on the stock market and reduced to selling apples," which causes an upheaval for the millionaire's fiancee's golddigging parents. There are other plots. They all come together reasonably well, though it takes a little forcing here and there. The best part of the book is Clarence's appealing fondness for his magnificent prize-winning pig. Unfortunately this means that for comedy purposes, other people are always maligning or misunderstanding the pig (I'm sure this isn't the first Wodehouse I've read in which a meddling outsider stubbornly fails to understand that prize-winning pigs are supposed to be fat) or hiding their liquor flask in the pig's mash so that the pig gets drunk.

Wodehouse uses the word "retarded" twice, which is a bit of a jolt: part of its rapid transition from official medical term to middle-school insult.

I really enjoyed The Outsiders, albeit in a kind of condescending maternal way rather than a relating-so-hard one. It's a teenager's poem of teenage life, which makes it sympathetic, but it's a very different reading experience from, say, Henry Williamson's memories of adolescence, with its chaos of contradictions and its grubby suburban romanticism, hindsight making everything more cluttered and more incomprehensible. Here the lines are clear and melodic, and life is nothing like a song except that it's exactly like one. I don't think it's inferior, though its appeal for me is not nearly as strong. I do feel like I've missed out on something by not having any patience for this kind of thing as an Actual Teen. I pretended to be too old for it when I wasn't, but I really am too old for it now.

What I'm Reading Now

A Fox Under My Cloak by Henry Williamson! Volume WHO KNOWS of a million-part series, and still good, good, good, at least as far as I can tell. I'm worried that Williamson must get really bad later in order to have fallen out of favor to the extent implied by Burgess - though maybe he doesn't, maybe sometimes books just get overlooked. I'm also worried that Williamson's politics are already all over the book and I just don't notice it because 1) I'm oblivious, and/or 2) I'm too willing to separate depiction from endorsement. Right now, Phillip's home from Ypres on medical leave and everyone is being well-meaning and horrible about it, in that glurgey thank-you-for-your-service way; he's been trying to talk about his experiences but no one wants to hear it and he gets shouted down for trying to talk about some bad decisions made by command staff. Meanwhile, his dad is calling for internment of all Germans and avoiding talking about his German grandmother, and a Scottish shopkeeper has gotten a brick through his window because his name looks kind of German.

Also started: Among Others by Jo Walton, about a girl whose relationship with the fairies is as difficult and confusing as her relationships with other humans. It's interesting, even if I'm not sure what to make of it yet.

What I Plan to Read Next

I bought a copy of Portnoy's Complaint, one of the 99 Novels, at this grubby used bookstore in Tallahassee, so maybe that? It's been a very long time since I read it and I was a child at the time, so 99% of it went straight over my head and I have no idea what to expect now. The grubby bookstore also had Cousin Bette by Balzac, but I didn't buy it because I didn't want to pay $5 for a paperback that rats had eaten all four corners of. I support used bookstores, but that one was kind of overpriced.
evelyn_b: (Default)
Crossposted from Livejournal

What I've Finished Reading

The Island by Aldous Huxley. Let's be honest with ourselves for a second: the only reason I'm haunted by the feeling that I'm not being fair to Aldous Huxley is that I know he has fans whose taste I respect, not because I'm actually of two minds about the thing. It's not like Lawrence Durrell where I couldn't shake the compulsion to make fun of him but also couldn't help admiring the writing, and never knew how I felt about it from one page to the next. I don't admire a single thing about The Island and I'm too uninvested to make fun. At the same time it's obvious that my impatience with Huxley has taken on a life of its own. There's a mental barrier to my sympathetic understanding that is totally out of proportion to anything Huxley might have done to deserve it.

In short: The Island bored me half to death but I read it all. This is probably not Huxley's fault - but actually I'm just saying that because I can't justify my dislike: in my heart I think it's totally Huxley's fault.

Let's see what Anthony Burgess has to say!

As with so much of Huxley's later fiction, one is not sure whether or not to call this book a true novel. It is less concerned with telling a tale than with presenting an attitude to life, it is weak on characterization but strong on talk, crammed with ideas and uncompromisingly intellectual. Huxley shows us an imaginary tropical island where the good life can be cultivated for the simple reason that the limitations and potentialities of man are thoroughly understood [. . .] The people themselves are a sort of ideal Eurasian race, equipped with fine bodies and Huxleyan brains, and they have read all the books that Huxley has read. [. . .]

For forty years his readers forgave Huxley for turning the novel-form into an intellectual hybrid - the teaching more and more overlaid the proper art of the story-teller. Having lost him, we now find nothing to forgive. No novels more stimulating, exciting, or genuinely enlightening came out of the post-Wellsian time. Huxley more than anyone helped to equip the contemporary novel with a brain.

If you say so, Anthony Burgess!

What I'm Reading Now

THE OUTSIDERS by S. E. Hinton. This was my sister's favorite book when we were in middle school, and it's fifty years old this year, so I decided to overcome my old animosity and give it a chance! Ponyboy Curtis is a gentle young tough from the wrong side of the tracks. His friends steal cars and cut up a lot but their love is pure, not like the gangs of rich kids who terrorize the working-class neighborhoods in their Mustangs. The rich kids are called Socs, which is short for "Socials," and which consequently I have no idea how to pronounce. Ponyboy has just met a nice rich girl who has informed him sternly that rich kids have problems too. What will these turn out to be? Will these sweet young men all get killed in a street fight? I hope not! It's ok so far. S. E. Hinton has a clean, simple writing style that is ready to bear the weight of any melodrama that develops.

I don't know how I feel about A Confederacy of Dunces. There's a commonplace that comedy ages worse than tragedy, but it probably depends. This is a comedy that has not aged well, but what does that mean? You can see some of the bits where the Literary Establishment would have rolled in the aisles back in 1981, most of them of the type "Ignatius tries to impose his deliberately anachronistic ideals on assorted Hot Topics of the Sixties," and these are mostly just dead in the water now. It's hard to say if they were "really" funny in 1981 or not - part of the problem is that the characters in the big Hot Topic set pieces - the black factory workers and the gay party stereotypes - are as flat and unreal, or almost as, on the page as they are in Ignatius' mind.

I like it when Mrs. Reilly is just talking to her neighbors - the observational humor about how people talk to each other holds up well for the most part. The (constant) gut troubles and masturbation bathos stuff I can't really speak to. I was never much of a fart joke fan. I know fart jokes are supposed to be universal, but they go right over my head - there's probably a joke in that.

What I Plan to Read Next

A Fox Under My Cloak for real this time!

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