Just Say Wednesday
Aug. 26th, 2020 05:05 pmWhat I've Finished Reading
There's absolutely no practical reason for me to keep 1985's Alone After School: A Self-care guide for latchkey children & their parents: I'll never have children, I'm not planning to time-travel to 1985 and adopt any, and I don't maintain a library of primary sources for the benefit of historical novelists. This is a very ordinary, completely disposable book of affirmations and instructions with no special qualities (unlike, say, the highly idiosyncratic personality of Mr. Rogers Talks With Parents). But I love the cover and I like all the tiny details of daily life this book suggests - the ubiquity of "obscene phone calls" and the phone as a source of danger, the product category "TV dinners," the burgeoning influence of the microwave. It reflects the rise in "stranger danger" and the child molester as a major cultural fear, and also tries to take a reassuring tone about kids looking after themselves.
I thought it was interesting that the authors (Helen L. Swan and Victoria Houston) are willing to concede that some households might not have a phone (they strongly suggest you get one), but make absolutely no concession to the possibility that a household might not have a TV - maybe just because it has less of a practical effect on the advice they give.
What I'm Reading Now
From the opening section of 10:04 by Ben Lerner:
GET IT? Welcome to the book you hold in your hands, dear reader! Once again, I can't tell yet whether I'm going to love this book or hate it, or whiplash between the two in midsentence. I do know I'm mad at Meta Ben Lerner for not just telling the waiter he didn't want any baby octopuses.
Also, Bernie Soares is right: no one loves a success. Opening your novel with the author-narrator's six-figure book deal for the novel you are about to read is a hilariously bold move.
Hanif Abdurraqib's Go Ahead in the Rain: Notes to a Tribe Called Quest is a pretty good example of a genre I love but seldom read, because I keep forgetting how much I love it until there's an example in front of me. That genre is "highly personal deep-dive love letters to bands and music scenes I know nothing about." It's importantly distinct from deep-dive love letters to music that I've already heard or that was important to me, where there's always the risk of getting into a mental argument with a stranger on some crucial point of interpretation, or simply not believing in the critical leaps made. Paeans to unheard music, on the other hand, are burdenless. I don't know if people who love A Tribe Called Quest will love this book - probably some will and some will roll their eyes - but it's been great for me.
What I Plan to Read Next
I haven't been to the library in a very long time, but I hear it's open now on limited hours and I might go get What It Takes, Richard Cramer's account of the 1988 Democratic Party presidential primary. I haven't fully made up my mind, mostly because by the time I think of it it's already midday and too hot to go to the library.
There's absolutely no practical reason for me to keep 1985's Alone After School: A Self-care guide for latchkey children & their parents: I'll never have children, I'm not planning to time-travel to 1985 and adopt any, and I don't maintain a library of primary sources for the benefit of historical novelists. This is a very ordinary, completely disposable book of affirmations and instructions with no special qualities (unlike, say, the highly idiosyncratic personality of Mr. Rogers Talks With Parents). But I love the cover and I like all the tiny details of daily life this book suggests - the ubiquity of "obscene phone calls" and the phone as a source of danger, the product category "TV dinners," the burgeoning influence of the microwave. It reflects the rise in "stranger danger" and the child molester as a major cultural fear, and also tries to take a reassuring tone about kids looking after themselves.
I thought it was interesting that the authors (Helen L. Swan and Victoria Houston) are willing to concede that some households might not have a phone (they strongly suggest you get one), but make absolutely no concession to the possibility that a household might not have a TV - maybe just because it has less of a practical effect on the advice they give.
What I'm Reading Now
From the opening section of 10:04 by Ben Lerner:
The city had converted an elevated length of abandoned railway spur into an aerial greenway and the agent and I were walking south along it in the unseasonable warmth after an outrageously expensive celebratory meal in Chelsea that included baby octopuses the chef had literally massaged to death. We had ingested the impossibly tender things entire, the first intact head I had ever consumed, let alone of an animal that decorates its lair, has been observed at complicated play. [. . .] A few months before, the agent had e-mailed me that she believed I could get a "strong six-figure" advance based on a story of mine that had appeared in The New Yorker; all I had to do was promise to turn it into a novel. I managed to draft an earnest if indefinite proposal and soon there was a competitive auction among the major New York houses and we were eating cephalopods in what would become the opening scene.
GET IT? Welcome to the book you hold in your hands, dear reader! Once again, I can't tell yet whether I'm going to love this book or hate it, or whiplash between the two in midsentence. I do know I'm mad at Meta Ben Lerner for not just telling the waiter he didn't want any baby octopuses.
Also, Bernie Soares is right: no one loves a success. Opening your novel with the author-narrator's six-figure book deal for the novel you are about to read is a hilariously bold move.
Hanif Abdurraqib's Go Ahead in the Rain: Notes to a Tribe Called Quest is a pretty good example of a genre I love but seldom read, because I keep forgetting how much I love it until there's an example in front of me. That genre is "highly personal deep-dive love letters to bands and music scenes I know nothing about." It's importantly distinct from deep-dive love letters to music that I've already heard or that was important to me, where there's always the risk of getting into a mental argument with a stranger on some crucial point of interpretation, or simply not believing in the critical leaps made. Paeans to unheard music, on the other hand, are burdenless. I don't know if people who love A Tribe Called Quest will love this book - probably some will and some will roll their eyes - but it's been great for me.
What I Plan to Read Next
I haven't been to the library in a very long time, but I hear it's open now on limited hours and I might go get What It Takes, Richard Cramer's account of the 1988 Democratic Party presidential primary. I haven't fully made up my mind, mostly because by the time I think of it it's already midday and too hot to go to the library.