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What I've Finished Reading

Late Call by Angus Wilson. I was a little worried about this 99 Novels selection because Wilson's The Old Men at the Zoo was one of the few 99 Novels that left me cold - but I liked this one a lot. The satire is much more down to earth, and kinder - it's about an old woman retiring to live with her son in a postwar New Town, with her difficult, charming, poisonously bitter old husband and his resentments, and her son's resentments and his grown-up children's, and all her own memories crowded together in a modern house with intimidatingly self-sufficient stove and washing machine.

I mentioned Frankenstein last week, and my thoughts on it are not deep nor have they changed much: Victor Frankenstein is a world-class idiot who can bring life to lifeless matter through science! and decides that the best use of this incredible new technology is OBVIOUSLY "build a guy from scratch!" but apparently never counted on having to make any other decisions with regard to his shambling emo teen creation. As soon as the creature opens his earnest, innocent, love-seeking eyes, Victor runs off to have a nervous breakdown about how (totally unexpectedly!) hideous his creature turned out to be. Victor, maybe you should have prepared for this moment by building a slightly larger than average frog first? Or something? He also can't figure out that "see you on your wedding night, sucker!!" might constitute a threat to anyone but himself, even though the monster has just painstakingly explained that his vengeance M.O. is "kill everyone Victor cares about." He decides that this threat means that the creature is going to kill him on his wedding night, and then it'll all be over! So obviously he has to get married as soon as possible so his fiance will be safe forever! Victor is the stupidest mad scientist.

Victor's creature is an instant classic and I love him. He gets carelessly knocked into life by a total doofus and has to fend for himself, a stranger and afraid in a world he never made, and damn it, he does the best he can. Anyone whose introduction to human emotion is The Sorrows of Young Werther is bound to experience some social difficulties, even setting aside the whole "giant reanimated corpse patchwork" aspect of things. Ok, so you shouldn't kill innocent people, even if you have a legitimate beef with your creator and are feeling legitimately betrayed by humanity. But it's hard not to feel for him just the same. Is he the grandfather of all sad monsters? I don't know enough about sad monster history to be sure, but he's a memorable one.

I feel like I must have read Frankenstein at some point, possibly in high school when I read a lot of things I forgot immediately after. At least, I experienced a lot of deja vu while reading - which might just be free-floating Frankenstein cultural osmosis. I wasn't keeping a reading log back then so there's no way to know for sure.

What I'm Reading Now

I'm in the middle of U.P. by R.A. Riekki, which is a fantastic book about scrubby angry-bored inchoate-longing-addled teenage boys in the late-eighties Upper Penninsula of Michigan, and just picked up Black Spring by Henry Miller (a used bookstore acquisition driven by my pledge to finally read Henry Miller) whose first chapter about growing up in Brooklyn dovetails perfectly with the concerns of U.P. in spite of vast distances in time and space and degree of urbanization:

The boys you worshipped when you first came down into the street remain with you all your life. They are the only real heroes. Napoleon, Lenin, Capone -- all fiction. Napoleon is nothing to me in comparison with Eddie Carney, who gave me my first black eye [. . . ] All these boys of the Fourteenth Ward have a flavor about them still. They were not invented or imagined: they were real. Their names ring out like gold coins -- Tom Fowler, Jim Buckley, Matt Owen, Rob Ramsay, Harry Martin, Johnny Dunne, to say nothing of Eddie Carney or the great Lester Reardon. Why, even now when I say Johnny Paul the names of the saints leave a bad taste in my mouth. Johnny Paul was the living Odyssey of the Fourteenth Ward; that he later became a truck driver is an irrelevant fact.


I'm also reading The Spire by William Golding, about a bunch of medieval sinners building a cathedral to no avail - actually re-reading, because William Golding is too damn subtle for me; I got halfway through and realized I had missed 9/10 of the innuendos.

Also, Kristin Lavransdatter! under the cut )

What I Plan to Read Next

I'm going out of town this weekend, and as usual when I go out of town I get ambitious and pack a lot of books, thinking I'll have more free time than I do. This time I've got ten. One of them is Kristin Lavransdatter. Tuck Everlasting and Light in August are in the pile along with some reference-y books about the past, and The Canterbury Tales. We'll see what I end up reading.

Sadly, neither The Defence by V. Nabokov nor Heartland by Wilson Harris are available at the local library, so I'll either have to buy them or ILL it if I want to continue my 99 Novels in chronological order.
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What I've Finished Reading

Last week I forgot to mention An Error of Judgment by Pamela Hansford Johnson, the last 99 Novels selection for 1962. Johnson is, as the About the Author on the back page informs me, the wife of my perfectly acceptable non-nemesis, C.P. Snow - and An Error of Judgment is constructed a lot like one of Snow's lawyer-memoirs: doggedly sensible literate narrator, loosely interwoven personal and professional concerns with a fateful choice at the center, plenty of earnest conversations and monologues. But it's significantly weirder, a little more lively, and a lot more memorable than anything in the Snowverse. I don't know if ultimately the plot "works" - there's something a little artificial about the way the doctor manuvers himself into the set-piece of his crime - but it was certainly a ride and I was glad to take it.

Just A Normal Marriage is the Harlequin novel by Leigh Michaels that I got out of the free books box down the street. I enjoyed 90% of it even though the business of getting Shauna and Rob into a marriage of convenience was pretty strained. The plot: her narcissistic socialite mother is happy to give wealthy Shauna custody of her young half-sister, but only if Shauna is married! Rob is a friendly pediatrician who is concerned about the half-sister's future. Shauna offers to pay his student loans - if he marries her for a year! I also didn't see the point of making Shauna a twenty-six-year-old virgin, or of half the misunderstandings, and Rob's reaction when he thinks Shauna has fallen into the arms of her toolish ex-fiance (when it's actually attempted rape! Rob, what good are you if you can't just ask what happened?) is unworthy of an otherwise good dude. But all of that is no harm done (and [personal profile] thisbluespirit, I will be sure to add the summary to Unconventional Courtship so it can be livened up with Dalek Sec and others).

There is also Faust, technically a play, by my best new genius friend J.W. Goethe. Faust is nuts. It's magnificently nuts. It starts with a heartbreaking prologue about finishing a book at eighty that you started in youth (which is what happened with Faust) and rolls right into a hilarious second prologue that is a lively discussion among a director, a clown, and an actor about what should go into a play. Then it's time for a board meeting in heaven between God and the Devil about whether the devil can go ahead and try tempting that one guy (God says go ahead because otherwise there wouldn't be a story). Then there's an Easter party in the streets of Universitytowne and the Devil sneaks into Faust's house in the shape of a poodle, and it's all downhill, and uphill, and downhill and back up again from there. The translator's note keeps comparing it to Ulysses, so I spent the whole thing thinking about how apt a comparison that is: it's an obsessively sprawling, wry, wacky, incorrigible human circus. Unlike Ulysses, it is almost entirely written in rhyme.

(It's "technically" a play because it's written as one, but I am skeptical about its stageability, though I guess stranger things have happened).

Before I read Faust, the only thing I knew about Faust (Goethe version) was that in the end, Mephisto loses track of Faust's soul because he's too busy lusting after a pack of boyish angels to drag it to hell properly. I am happy to report that I was not misled, and this is in fact what happens.

What I'm Reading Now

Advertisements for Myself by Norman Mailer - which hasn't aged that well and most of whose component pieces aren't that great (Mailer keeps saying things like "As you can see if you're not an idiot, this essay I wrote/freshman creative writing story/dumb joke for a friend is pure garbage and you're a sucker if you thought it was any good, but it would be criminally dishonest of me not to include it in this Advertisement for Myself since I did write it after all" and then you read it and wish you were reading a less genre-breaking iconoclastic hammerpiece where selection is made on more traditional grounds) but which I still kind of like because I can't help liking Mailer. There's this one piece that's just Mailer handing out bitchy backhanded compliments to every author of roughly his own age whom anyone ever compared him to, and my heart just goes out to him - just flaps clumsily out to him like a scruffy maternal goose. And this going-out of my heart, with attendant feeling that Mailer and I are brittle, self-protecting sisters under the skin, is its own back-handed compliment, all the sadder for being directed sixty years after the fact at someone who will never read it. Clearly one of us is rubber, and one of us is glue.

Also, Frankensten! It's great. Victor Frankenstein is an idiot. It's also much more of a Romantic travelogue than I expected. More on this next week.

Kristin Lavransdatter )

What I Plan to Read Next

One night when I was drunkenly describing the plot of Faust to some guys, one of them said that Thomas Mann, author of The Magic Mountain, had also written a Faust. So maybe I'll read that? There are also a couple of 99 Novels from the library, The Spire by William Golding and Late Call by Angus Wilson.

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